Autumn! Where the eff are you?!

pine-barrens-wharton
Sigh…oh my–when? WHEN?!

No lie, it was freaking ninety degrees in Jersey today. Like it’s the middle of July, I’ve been blasting the air conditioner inside my house and on the road. What’s worse, here it is three days from October, and I’ve yet to see anyone cradling Pumpkin Spice coffee yet (not that it’s any great loss to mankind). But how would you when the only thing anyone still wants steaming is the hot fudge atop their sundae? Really, I’ve had it with summer already.  I want the temperature bearable. I want a frost to finally get rid of these bastard mosquitoes who’ve  been chomping my legs all summer. But let me give you a few more reasons why I’m so much more about Autumn than the hellacious  weather this year passed as summer. (And if you think you’ve read some of this before, well hey, you can’t plagiarize yourself, and dammit, some things just bear repeating):

1. Apples – Gala, Cortland, Mac, Granny – sure you can get them at the supermarket all year ’round, but this time of year, you can pluck them right off the tree. Here in the Northeast there’s no shortage of apple farms, and luckily enough, no shortage of Apple Festivals and Hard Apple Cider samples either. This abundance of apples leads to the inevitable apple cakes, apple muffins, apple sauce, fried apples, apple fritters, apple dumplings, apple doughnuts, applesauce, apple lasagna…

2. Cooler Nights – Seriously, I have nothing intrinsically against summer, but I also like to get a good night’s sleep. And I don’t care what you say about air conditioning – the only difference it makes to my downtime is I get a bit of Sinus Inflamed Fitful Sleep instead of wallowing the night away in a pool of sweat-soaked sheets. Big difference from leaving the window opened a tad and tucking the covers under your chin. Plus you can snuggle up with the person next to you and not have your skin go phwhuck! from the contact. So much pleasanter. And quieter!

3. Better Movies – With the summer blockbuster season behind us, the studios finally roll out their “serious” films, as we get closer to Oscar time. Goodbye car chases, blue screens and dick flicks, I can finally revel in some meaningful dialogue and decent acting. Now if I could only find a theater that’s actually showing one I would be happy.

4. Boots! – And tights and leggings and socks. Look, there’s nothing like freeing your feet for sandals and walking barefoot. But with that comes a lot of leg and foot maintenance. I mean seriously, pedicures aren’t cheap–$35, $40, $50 a pop, and you wouldn’t want to see what my toenails look like when I do them myself. It’s worth every penny, but sinking your tootsies in knee-high boots and zipping them over a tight pair of jeans has merit, too. Not to mention skipping a time or two with the razor or wax job. Invaluable.

5. Scarves Are Back – Love them. LOVE THEM. They make you look artsy and dramatic, and keep your neck warm at the same time. What other article of clothing can you buy at Target that says so much for so little? Plus they keep the collar of that wool jacket you look tres chic in from itching so bad you’d like to rip your skin off. Ah, the price of fashion…

Let the leaves fall!

 

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New Agent On the Prowl

While I was perusing one of my favorite writing-related sites, Publishing and Other Forms of Insanity, I came across some brandy-new agents who are actively seeking clients and lo and behold–one of them is from the agency that represents moi! Her name is Meg LaTorre-Snyder of Corvisiero Literary, and here’s the skinny on who she is and what she’s looking for…

Meg LaTorre-Snyder is an editor and writer with a background in magazine publishing, journalism, medical writing, and website creation. With her background, she’s excited to have a hands-on editorial partnership with authors. She has written for digital and print publications on a variety of topics, including book publishing, writing how-tos, nutrition, healthy living, startup companies, and pharmaceuticals. In her free time, she enjoys working on her own adult fantasy manuscript, reading long novels, drinking tea by the bucket, running in competitive races, participating in musical productions, playing basketball, and reading nutrition textbooks (yep, textbooks). To learn more about Meg, visit her website, follow her on Twitter/Facebook, and subscribe to her YouTube channel, iWriterly.

What she is seeking: YA, NA, and adult:

Fantasy
Historical fiction
Romance (with magical elements)
Space opera
Steam punk
Thrillers (with magical elements)
She loves books written in third-person with multiple POVs, quirky, realistic characters, and rich descriptions.

Meg is not interested in nonfiction, picture books, contemporary stories (particularly those with no magical elements), erotica, horror, dystopian, screenplays, poetry, short stories, and novellas.

How to Submit: Send your query, first five pages, and 1-2 page synopsis in the body of an email (no attachments) to query@corvisieroagency.com with the following information in the subject line:

Query for Meg: [TITLE OF MANUSCRIPT IN ALL CAPS], [age group], [genre]

Getting ready to pitch? Read me first!

So you’re getting ready to pitch your book at your first writers conference because you think you’ve finished the ms. But have you? Here’s something few new writers realize: you haven’t. Then how do you know when you have finished? When you send back the publisher’s galleys. Galleys? What are galleys?

Oh boy, do you have some work to do.

So between now and then you need to go over your manuscript with a magnifying glass, looking for plot holes, continuity slips, characters inconsistencies, etc. This is also a good time to use a beta reader, a critique partner (highly recommended), or someone you trust to give it an honest, critical read, and not someone who’ll just say “It was great!” because they don’t want to damage your fledgling writer ego. (Look, I may as well hit you with it now–the World of Writing is a World of Hurt. The sooner you realize that, the sooner you can dab off your cryin’ eyes and get back to work.) But here’s a caveat to all that critiquing–DON’T TAKE IT PERSONALLY! If your betas are worth it they’re not criticizing you, they’re critiquing the work. And it’s better hearing it from them first than having it rejected by an editor or agent because of some very fixable flaw. So do the work now and get it over with because you’re going to do it eventually anyway. Your work will need to be as perfect as possible, and that’s  the whole work, right to THE END.

One thing that is ABSOLUTELY IMPERATIVE is that you MUST have a FINISHED MANUSCRIPT before you start pitching it. Why? Let me tell you something about agents and editors: they are being bombarded by submissions. My agent alone gets up to 200 queries a week. If you get a submission request and you don’t send your manuscript within a month, trust me, she’ll forget all about you. Strike while the iron is  steaming and before you move out of her memory. But again, only after you polish that manuscript until it’s pink and screaming.

The Basics—Genre and Word Count.

You know what your manuscript is about, but how would you categorize it? And what is your word count?  A typical fiction novel is 75,000 to 100,000 words, though most check in around 80-85k. Round this number to the nearest thousand. The editor doesn’t have to know it’s 82,437 words. You also need to know your genre. This is key as this is how you’ll not only narrow your search for an agent, but once you’ve found one, it’s how she’ll target it to editors. Common Fiction genres are:

literary                 commercial          mystery                romance    

women’s fiction   humor/satire        historical              new adult

young adult          middle grade       children’s             picture book

espionage             thriller/suspense    gay/lesbian          military

horror           fantasy        sci-fi                graphic novel

paranormal           erotica

Or any combination of. Some of the popular genres, such as mystery and romance, also have sub-genres, ie, “cozy” mysteries, like Agatha Christie, or historical romance, or spec-sci-fi.

Common Non-Fiction genres are:

history                 sports                   biography            science

memoirs               narrative              pop culture          cultural/social sci

travel                   political                humor                  gift books

health/fitness       gardening            photography       self-help

true crime            art                        adventure            business

how-to                 journalism           religion                cookbooks

celebrity               current affairs

You need to be very familiar with your genre and word count, as you’ll need it for your presentation or query. It’ll be one of the first things the editor or agent will want to know.

Finding your Perfect Editor/Agent

The majority of publishers no longer accept unagented submissions. Some epublishers do, and so do some genre pubs, like romance and sci-fi but if you want to target one of the major houses without an agent, really the only way you’re going to get to them is through pitch sessions at writers conferences or the direct recommendation of one of their clients. Unless you’re lucky enough to know the latter, you’re going to have to do some legwork for the former.  Because there’s nothing worse than meeting with an editor or agent face-to-face and having them say, “Sorry, I don’t represent that genre.” From which the luminescent glow of your  crimson face will no doubt show the world what a minor league player you are. So do your homework.

  • Read other authors in the genre of what you write, and target those editors or agents. Look in the acknowledgement page and see who the author thanks. Look through the books you have already bought, or go haunt your local bookstore. Then when you’re querying the agent, or sitting down for a face-to-face, you can say your book is a cross between “this writer and that writer with a touch of another writer thrown in.”
  • Literary Marketplace (LMP). If you don’t know what it is, time to find out. Available in hard copy and database at most local libraries.
  • Manuscript Wish List , the websiteMSWL or the hashtag, #MSWL. Find editors and agents, and see what they’re looking for.
  • Publishing and Other Forms of Insanity. Love love love this blog. Too much publishing info to put down on this entry, so go there and see for yourself.
  • Go directly to the agent’s website, and see what authors they represent, and what books they’ve sold. This is even more important for an editor. Go directly to the publisher’s website. An editor or agent may say they LIKE something but if they’ve never SOLD it, they may not be a good fit. A SALE is always a more reliable indicator.

Targeting your Editor or Agent

Now that you know your genre, and how to research an agent, or an editor, you need to target which one will fit your style. Compare the list of visiting editors and agents to what you write and see if there’s a fit. If an editor only publishes literary fiction and you write sci-fi, chances are, no matter how well you write, they will not accept your submission. Same goes with agents. If an agent’s specialty is romance, and you write essays, you’re going to strike out. Too many times writers will submit to agents that don’t represent their type of writing, and then can’t understand why they get rejected. I can’t stress this enough: It’s better NOT to submit than to submit to the wrong editor and/or agent. Don’t think they’re just going to fall in love with your western and grab it anyway, when all they’ve previously sold is cookbooks. That happens VERY rarely in the real world. Save yourself a lot of needless rejection angst and just do your homework.

Now hop to it!

If it seems like you’ve waited 250 years then yeah, you’ve got it bad

I’ve been told that several “Easter eggs” have been planted throughout Outlander Season Three premiering this Sunday, September 10 on Starz. So what’s an Easter egg? It’s those little hidden gifts the producers like to plant in various scenes that only true fans will know the significance of. Sounds like fun and I can’t wait to look for them. But you’re an old-time devotee of the series, then you’ve already noticed quite a few pieces of coal as well. What I mean is we old-timers have been on the Claire/Jamie team for twenty-five years now since the Diana Gabaldon’s first book of the series, Outlander, debuted in 1992. And as readers of the books–sometimes two or three times–there’s certain things that have veered from the texts. Personally, I’m not complaining, as many variations have either had no significance or even improved the story. And since Diana Gabaldon has had such an active part in the production, she must approve of the changes. Plus ultimately, showrunner Ronald D. Moore is certainly entitled to his own vision and for the most part, I overwhelmingly approve. Still, there are some things that have veered from the written text that stand out for me (and if you don’t want to know what they are, if you think I’m a spoilsport and should just shut up and watch, then stop reading right here):

  • Claire, unlike the very talented, blue-eyed Caitriona Balfe, has brown eyes. In the book they are described as very unusual and “sherry-colored.”
  • The wedding ring Jamie gives Claire is a silver band decorated in the Highland interlace style, a small Jacobean thistle bloom carved in the center.
  • Jamie gets violently seasick, so bad he’s literally unable to come on deck when a ship is in motion. After he is liberated from Wentworth Prison in the book, he’s mostly unconscious and it’s not until France when he’s taken to the monastery to recover. The fact he’s unconscious is a lifesaver. Gabaldon deals with this quirk of Jamie’s in an inventive way with a novel character in Book Three and sailing on a ship becomes pivotal to the plot. Not that I’m telling you here!
  • In the books, Jamie and Claire’s daughter, Brianna, is described as tall and big-boned, size 16 and six-feet tall. There is no doubt that she is Jamie’s daughter, with her height and flaming-red hair. She was also born and raised in Boston, and there’s no doubt in my mind she pahks her cahr in Ha-vahd yahd.

Don’t get me wrong–I love-love-LUFF this series, and I can live with any of these changes and enjoy it tremendously. But I’m not going to deny the fact as a tall and big-boned woman, I would have loved to see an equally tall and big-boned woman playing the part of Jamie’s daughter, especially in this year of Wonder Woman. But if that would mean living without Jamie each Sunday night at eight, well, come on. Life is all about compromise, isn’t it?

Sunday night at eight.  You’ll know where I’ll be.