Five of the best Book Blogs According to Feedspot

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Book Riot

Book Riot

bookriot.com

Brooklyn

About Blog – Book Riot is a blog covering book-related news, reviews, commentary, advice and information along with the latest in book-reading technology. Always books. Never boring.
Frequency – about 84 posts per week

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Kirkus Reviews

Kirkus Reviews

kirkusreviews.com

NY, USA

About Blog – Book reviews and recommendations from the most trusted voice in book discovery.
Frequency – about 84 posts per week

3

Omnivoracious

Omnivoracious

omnivoracious.com

About Blog – An Amazon.com Books Blog featuring news, reviews, interviews, and guest author blogs.
Frequency – about 12 posts per week

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Aestas Book Blog -Romance book reviews.

Aestas Book Blog -Romance book reviews.

aestasbookblog.com

About Blog – Aestas Book Blog gives Reviews of books that make my heart race, have a beautiful love story, and a happy ending.
Frequency – about 2 posts per week

5

Smart Bitches, Trashy Books

Smart Bitches, Trashy Books

smartbitchestrashybooks.com

About Blog – Smart Bitches, Trashy Books is a community of romance readers eager to talk about which romance novels rocked their worlds, and which ones made them throw the book. Also interested are the folks who are curious about all those fuchsia books with the tangerine skies and turquoise ruffles they used to see in the drug stores.
Frequency – about 21 posts per week

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You don’t have to go just because I’m the Veep, you know…

Want to Write? Love to Read?

Mark Your Calendar for the 9th Annual Liberty States Fiction Writers Conference!

Saturday, March 24 thru Sunday, March 25, 2018
at the Renaissance Woodbridge Hotel in Iselin, NJ

Whether you’re indie published, traditionally published, not quite published, or simply love to read, we have something for you. Join us for this exciting, fun, and informative event!

The Liberty States Fiction Writers Conference features a line up of more then 20 authors and industry professionals who will share their expertise and experience. Located a in New Jersey, just a short train ride from New York City, we offer a weekend of education, networking, and fun in a relaxed setting.

Registration is now open. Go here for more information on workshops, editor/agent appointments, and guests.

 

Flashy fiction – 333 Words

Is This Seat Taken?

“Is this seat taken?”

I swivel in my barstool, turning from my cold Armadale gimlet to the man leaning into my airspace. He’s exquisite for sure, tall and sleek, his hair like black silk, his voice a tinge Teutonic, the fine threads of his bespoke suit a portend not only of black AMEXs, Porsche Carreras, and Dom Perignon, but of rumpled sheets and lengthy sighs, all tied up in one ergonomically-designed package.

He smiles and lights the room, a shiver radiating through me as I imagine a fevered night followed by a glistening morning after, lingering over coffee and torte as he tells me of his childhood in Bern, his estate in Bordeaux, of how very good the world of finance can be, though how very lonely it’s left him. A yet unscathed corner of my heart squeezes as I reach for him across the breakfast table, our caress a weave of bone and flesh and sentiment, his face an odd mix of gratitude and longing as he brings my hand to his lips, kissing it.

I imagine many more nights and dazzling days, the heat steaming off his skin, lime-scented and dizzying as ether. Then he reaches to the rail and half-cages me, his muscled chest straining the confines of its cotton casing, and all at once I feel protected and safe, and ferociously, shamelessly aroused. In that split second, in that moment when I finally decide to answer his question he beckons to the barkeep as his gaze latches onto mine. Suddenly I’m struck by the fact his eyes are as green as the C-note pinched between his fingers, fingers long and slim and fashionably tanned, except for a white indentation on the fourth-finger of his left hand, freshly-liberated from an inconvenience so unsuitable to our purposes.

Well, maybe only to his, when again he asks me, “Is this seat taken?”

I smile most graciously as I get up, and sweeping my hand over my now empty seat, say, “Not anymore.”

© Copyright Gwen Jones 2017

NANOWRIMO is coming!

According to their website…

National Novel Writing Month (NaNoWriMo) is a fun, seat-of-your-pants approach to creative writing. 

On November 1, participants begin working towards the goal of writing a 50,000-word novel by 11:59 PM on November 30.

Valuing enthusiasm, determination, and a deadline, NaNoWriMo is for anyone who has ever thought about writing a novel.

Mission Statement

National Novel Writing Month believes in the transformational power of creativity. We provide the structure, community, and encouragement to help people find their voices, achieve creative goals, and build new worlds—on and off the page.

NaNo Prep

Ready to start planning your November novel? Our NaNo Prep resources are here for you.

During October,  they’ll provide resources to inspire, challenge, and prepare you to write that novel.

Look to their blogforumsFacebook, and Twitter for updates on new stuff.

Sign up and get ready to write!

No more boring characters. Please. Pretty please.

Without interesting characters, there would be no reason to pick up a novel, as humans are all basically voyeurs, and our most favorite pastime is observing each other. With a good read we can get inside an imaginary human’s head, see what makes them tick, understand their flaws and foibles. So beyond what physical descriptions can tell us about our characters, what can we do to make them alive and breathing, especially considering some modern schools of thought decry physical descriptions at all? Let’s take a look at this “Checklist on Creating Characters,” taken from David Starkey’s Creative Writing – Four Genres in Brief  (Bedford/St. Martin’s, 2009), a terrific textbook I’ve used in my Creative Writing classes:

  1. Do you know your main characters and their desires well? You should have a strong sense of who your characters are, where they live, where they’ve been, and the driving forces that make them act. They should know what they want and what they’re prepared to do to get it.
  2. Does your story show us only the essential aspect of your characters? While it’s important that you know your characters thoroughly, you will be revealing only a tiny sliver of that info on the page. Show your characters being themselves, only more so. Whatever conflict they are involved in should bring out a heightened sense of who they really are.
  3. Is your description of each character appropriate to, and necessary for, that character’s function in the story? You, the author, should always have a clear mental picture of your characters, but you should ask yourself if a complete physical, psychological, ethical, etc., description is really necessary for all characters. Unless some physical or emotional aspect of your character is necessary to the storyline, leave it out.
  4. Are the characters’ names appropriate? Do it reflect their personality? Their ethnicity? A physical characteristic? Try not to have too many Sams, Steves, Saras or Susans, as so many of the same letter can be confusing. And if that 1840s character from the remotest region of cloistered China is named O’Brien, you better have a reason why.
  5. Should that character be named at all? He’s a doorman the protagonist breezes past on the way out. Who cares. Unless, of course, later on he comes after him with a shotgun.
  6. Are your main characters different at the end of the story than they were in the beginning? The most convincing fictional characters are both consistent and surprising. Reread the opening and concluding sections of your story. Do you see a difference in how your protagonist began and how he or she ends up? If there’s no growth–or considerable decline–then you have a static character, and your readers will feel cheated.
  7. And at the end, will they leave your readers wanting more? Essential if you want to continue your story in a series. Like breadcrumbs through the woods, leave a trail of intriguing tidbits about the characters you’d like your readers to follow into the next book. And the next, and the next, and beyond.

Autumn! Where the eff are you?!

pine-barrens-wharton
Sigh…oh my–when? WHEN?!

No lie, it was freaking ninety degrees in Jersey today. Like it’s the middle of July, I’ve been blasting the air conditioner inside my house and on the road. What’s worse, here it is three days from October, and I’ve yet to see anyone cradling Pumpkin Spice coffee yet (not that it’s any great loss to mankind). But how would you when the only thing anyone still wants steaming is the hot fudge atop their sundae? Really, I’ve had it with summer already.  I want the temperature bearable. I want a frost to finally get rid of these bastard mosquitoes who’ve  been chomping my legs all summer. But let me give you a few more reasons why I’m so much more about Autumn than the hellacious  weather this year passed as summer. (And if you think you’ve read some of this before, well hey, you can’t plagiarize yourself, and dammit, some things just bear repeating):

1. Apples – Gala, Cortland, Mac, Granny – sure you can get them at the supermarket all year ’round, but this time of year, you can pluck them right off the tree. Here in the Northeast there’s no shortage of apple farms, and luckily enough, no shortage of Apple Festivals and Hard Apple Cider samples either. This abundance of apples leads to the inevitable apple cakes, apple muffins, apple sauce, fried apples, apple fritters, apple dumplings, apple doughnuts, applesauce, apple lasagna…

2. Cooler Nights – Seriously, I have nothing intrinsically against summer, but I also like to get a good night’s sleep. And I don’t care what you say about air conditioning – the only difference it makes to my downtime is I get a bit of Sinus Inflamed Fitful Sleep instead of wallowing the night away in a pool of sweat-soaked sheets. Big difference from leaving the window opened a tad and tucking the covers under your chin. Plus you can snuggle up with the person next to you and not have your skin go phwhuck! from the contact. So much pleasanter. And quieter!

3. Better Movies – With the summer blockbuster season behind us, the studios finally roll out their “serious” films, as we get closer to Oscar time. Goodbye car chases, blue screens and dick flicks, I can finally revel in some meaningful dialogue and decent acting. Now if I could only find a theater that’s actually showing one I would be happy.

4. Boots! – And tights and leggings and socks. Look, there’s nothing like freeing your feet for sandals and walking barefoot. But with that comes a lot of leg and foot maintenance. I mean seriously, pedicures aren’t cheap–$35, $40, $50 a pop, and you wouldn’t want to see what my toenails look like when I do them myself. It’s worth every penny, but sinking your tootsies in knee-high boots and zipping them over a tight pair of jeans has merit, too. Not to mention skipping a time or two with the razor or wax job. Invaluable.

5. Scarves Are Back – Love them. LOVE THEM. They make you look artsy and dramatic, and keep your neck warm at the same time. What other article of clothing can you buy at Target that says so much for so little? Plus they keep the collar of that wool jacket you look tres chic in from itching so bad you’d like to rip your skin off. Ah, the price of fashion…

Let the leaves fall!

 

New Agent On the Prowl

While I was perusing one of my favorite writing-related sites, Publishing and Other Forms of Insanity, I came across some brandy-new agents who are actively seeking clients and lo and behold–one of them is from the agency that represents moi! Her name is Meg LaTorre-Snyder of Corvisiero Literary, and here’s the skinny on who she is and what she’s looking for…

Meg LaTorre-Snyder is an editor and writer with a background in magazine publishing, journalism, medical writing, and website creation. With her background, she’s excited to have a hands-on editorial partnership with authors. She has written for digital and print publications on a variety of topics, including book publishing, writing how-tos, nutrition, healthy living, startup companies, and pharmaceuticals. In her free time, she enjoys working on her own adult fantasy manuscript, reading long novels, drinking tea by the bucket, running in competitive races, participating in musical productions, playing basketball, and reading nutrition textbooks (yep, textbooks). To learn more about Meg, visit her website, follow her on Twitter/Facebook, and subscribe to her YouTube channel, iWriterly.

What she is seeking: YA, NA, and adult:

Fantasy
Historical fiction
Romance (with magical elements)
Space opera
Steam punk
Thrillers (with magical elements)
She loves books written in third-person with multiple POVs, quirky, realistic characters, and rich descriptions.

Meg is not interested in nonfiction, picture books, contemporary stories (particularly those with no magical elements), erotica, horror, dystopian, screenplays, poetry, short stories, and novellas.

How to Submit: Send your query, first five pages, and 1-2 page synopsis in the body of an email (no attachments) to query@corvisieroagency.com with the following information in the subject line:

Query for Meg: [TITLE OF MANUSCRIPT IN ALL CAPS], [age group], [genre]

Getting ready to pitch? Read me first!

So you’re getting ready to pitch your book at your first writers conference because you think you’ve finished the ms. But have you? Here’s something few new writers realize: you haven’t. Then how do you know when you have finished? When you send back the publisher’s galleys. Galleys? What are galleys?

Oh boy, do you have some work to do.

So between now and then you need to go over your manuscript with a magnifying glass, looking for plot holes, continuity slips, characters inconsistencies, etc. This is also a good time to use a beta reader, a critique partner (highly recommended), or someone you trust to give it an honest, critical read, and not someone who’ll just say “It was great!” because they don’t want to damage your fledgling writer ego. (Look, I may as well hit you with it now–the World of Writing is a World of Hurt. The sooner you realize that, the sooner you can dab off your cryin’ eyes and get back to work.) But here’s a caveat to all that critiquing–DON’T TAKE IT PERSONALLY! If your betas are worth it they’re not criticizing you, they’re critiquing the work. And it’s better hearing it from them first than having it rejected by an editor or agent because of some very fixable flaw. So do the work now and get it over with because you’re going to do it eventually anyway. Your work will need to be as perfect as possible, and that’s  the whole work, right to THE END.

One thing that is ABSOLUTELY IMPERATIVE is that you MUST have a FINISHED MANUSCRIPT before you start pitching it. Why? Let me tell you something about agents and editors: they are being bombarded by submissions. My agent alone gets up to 200 queries a week. If you get a submission request and you don’t send your manuscript within a month, trust me, she’ll forget all about you. Strike while the iron is  steaming and before you move out of her memory. But again, only after you polish that manuscript until it’s pink and screaming.

The Basics—Genre and Word Count.

You know what your manuscript is about, but how would you categorize it? And what is your word count?  A typical fiction novel is 75,000 to 100,000 words, though most check in around 80-85k. Round this number to the nearest thousand. The editor doesn’t have to know it’s 82,437 words. You also need to know your genre. This is key as this is how you’ll not only narrow your search for an agent, but once you’ve found one, it’s how she’ll target it to editors. Common Fiction genres are:

literary                 commercial          mystery                romance    

women’s fiction   humor/satire        historical              new adult

young adult          middle grade       children’s             picture book

espionage             thriller/suspense    gay/lesbian          military

horror           fantasy        sci-fi                graphic novel

paranormal           erotica

Or any combination of. Some of the popular genres, such as mystery and romance, also have sub-genres, ie, “cozy” mysteries, like Agatha Christie, or historical romance, or spec-sci-fi.

Common Non-Fiction genres are:

history                 sports                   biography            science

memoirs               narrative              pop culture          cultural/social sci

travel                   political                humor                  gift books

health/fitness       gardening            photography       self-help

true crime            art                        adventure            business

how-to                 journalism           religion                cookbooks

celebrity               current affairs

You need to be very familiar with your genre and word count, as you’ll need it for your presentation or query. It’ll be one of the first things the editor or agent will want to know.

Finding your Perfect Editor/Agent

The majority of publishers no longer accept unagented submissions. Some epublishers do, and so do some genre pubs, like romance and sci-fi but if you want to target one of the major houses without an agent, really the only way you’re going to get to them is through pitch sessions at writers conferences or the direct recommendation of one of their clients. Unless you’re lucky enough to know the latter, you’re going to have to do some legwork for the former.  Because there’s nothing worse than meeting with an editor or agent face-to-face and having them say, “Sorry, I don’t represent that genre.” From which the luminescent glow of your  crimson face will no doubt show the world what a minor league player you are. So do your homework.

  • Read other authors in the genre of what you write, and target those editors or agents. Look in the acknowledgement page and see who the author thanks. Look through the books you have already bought, or go haunt your local bookstore. Then when you’re querying the agent, or sitting down for a face-to-face, you can say your book is a cross between “this writer and that writer with a touch of another writer thrown in.”
  • Literary Marketplace (LMP). If you don’t know what it is, time to find out. Available in hard copy and database at most local libraries.
  • Manuscript Wish List , the websiteMSWL or the hashtag, #MSWL. Find editors and agents, and see what they’re looking for.
  • Publishing and Other Forms of Insanity. Love love love this blog. Too much publishing info to put down on this entry, so go there and see for yourself.
  • Go directly to the agent’s website, and see what authors they represent, and what books they’ve sold. This is even more important for an editor. Go directly to the publisher’s website. An editor or agent may say they LIKE something but if they’ve never SOLD it, they may not be a good fit. A SALE is always a more reliable indicator.

Targeting your Editor or Agent

Now that you know your genre, and how to research an agent, or an editor, you need to target which one will fit your style. Compare the list of visiting editors and agents to what you write and see if there’s a fit. If an editor only publishes literary fiction and you write sci-fi, chances are, no matter how well you write, they will not accept your submission. Same goes with agents. If an agent’s specialty is romance, and you write essays, you’re going to strike out. Too many times writers will submit to agents that don’t represent their type of writing, and then can’t understand why they get rejected. I can’t stress this enough: It’s better NOT to submit than to submit to the wrong editor and/or agent. Don’t think they’re just going to fall in love with your western and grab it anyway, when all they’ve previously sold is cookbooks. That happens VERY rarely in the real world. Save yourself a lot of needless rejection angst and just do your homework.

Now hop to it!

Seriously Snark

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