During this retreat like full day workshop authors have the opportunity to attend various Presentations, pitch Literary Agents and Editors (Optional), get a book signed by Bestselling Author Megan Erickson during our Mixer, get work critiqued by Agents and Editors (Optional), attend the Critical Mass: First Page Critique Literary Agent and Editor Panel, and Network with authors and industry professionals all day long and during a Networking Mixer after hours.
8:30 a.m. to 5:00 p.m., Saturday, October 13, at The Oyster Point Hotel, Bodman Place, Red Bank, NJ 07701.
Conveniently located about one hour from NY City.
Valet parking complimentary.
Train Station: Red Bank – North Jersey Coast line located just 5 minutes away.
I don’t know, maybe it’s because I’m drinking too much caffeine in the afternoon but I’ve been waking up way too early in the morning lately. Or maybe I’m just of that certain age, but I really don’t want to go there at the moment. In any event, I’ve been writing really, really early in the morning these past few weeks, and for me that means at my desk by six-thirty or seven. I write until around eight or eight-thirty, then it’s off to get ready for my first class at ten-thirty. I’ve been patting myself on the back for being so dedicated, then I heard about this group of people, and I have a whole new reason to feel inadequate. The 5 AM Writer’s Club according to their website, is “…a dedicated group of writers who cheer each other on when it’s needed, and pass donuts around when they’re hungry. (BTW Check the #5amWritersClub hashtag to find a fantastic group of people to follow on Twitter.)”
But what it means to me is a bunch of dedicated writers who actually find their muse up and awake before the crack of dawn. I find this completely admirable, as although I’ve been know to get up early, it’s usually not by choice, and I just take advantage of the situation. Still, what it says to me is if you want to write, if you need to write, you WILL find the time to do it. No excuses. Writers write. Ass in chair. And if you want some cheering on, well now you know where to go to find it.
Another school year, another entry from the MFA Pit. This time it’s all about process, about conjuring up your creative muse, about getting that perfect writing space, about finding the time to write. This semester MFA Candidate One is studying Aesthetic and Process, about why we write what we write, and how to go about bringing that process to fruition…
Here we are again, this time, examining your writing process as well as—and we’ll get to that soon enough—why you write what you write. Sometimes you can’t exactly say why you’re drawn to a particular genre. You may like romance because you like an HEA (happily ever after), or you like fantasy as you’re always drawn to other worlds. Whatever captures your imagination is something very individual to you, and it’s something that you’ll explore as well as you go along. You discovered this a bit in a previous semester, when you started out writing a straight romance, then found out you’re so much more comfortable adapting those romantic concepts to fantasy. More revelations we come along soon enough this semester, and this will become more apparent when you write a closing paper at the end.
Process is something we’re sometimes slow to discover. It’s the “how” of what we’re writing. You mentioned in the beginning essay you don’t find outlining as helpful as it could be. Well, I’ve discovered over the years there’s really two basic kind of writers out there—the pantsters and the planners. The pantsters write by the seat of their pants—start the story and then let the characters take them where they may. The planners find this process horrifying. They outline, they use index cards, bulletin boards, collages—anything to keep them in sequence and on track. Most writers fall somewhere in between. Your using a journal is a good example of this. I always have what I call my story guide. It’s a kind of a journal in which I list my characters, their names, occupations, descriptions, characteristics, etc. I list the main plot of the story, the conflict, the dark moment, mostly all the things I need to keep straight as the story progresses. For example, you forget how old one of your characters is, or in what town they’re to meet the villain at the end. This gives you something you could always refer back to. It’s also a handy place to list changes you want to adapt in later chapters when you’re editing a draft.
A place to write can be tricky at times when you live with other people. Unless you have a dedicated space at home, you sometimes have to shift around our make compromises. But it could also be outside of where you live. It could be a favorite bench in a park, a table at Starbucks, or in the 3rd floor lounge in the Student Center (I wrote a flash fiction piece there once!) It’s anyplace where you can wrap your head around your story. And that’s only up to you to decide.
Poor Yorick: A Journal of Rediscovered Objects is an online literary publication of the MFA Program at Western Connecticut State University. The journal publishes poems, stories, essays, profiles, digital video shorts, photo essays, scholarly articles, and other innovative works about or inspired by rediscovered objects and/or images of material culture. In addition to unsolicited submissions, the journal’s editorial staff will occasionally identify a particular historical object, collection, exhibit, etc., and call for submissions inspired by the selected artifact. Poor Yorick also works in conjunction with museums both locally and nationally to identify and encourage innovative works focusing on lesser-known and overlooked objects and images.
For more information about submitting, please click here for their Submissions guidelines.
Hey! Are you an expert on something? A writer with plotting/characterization/genre tips up your sleeve? Have knowledge you’re just itching to disseminate? Then by ALL MEANS YOU NEED TO SUBMIT! Not to a publisher (not now anyway!) But to Liberty State Fiction Writers, a tri-state multi-genre fiction writers organization who’s looking for presenters for their 10th Annual Writers Conference in March 2019 in beautiful Iselin, New Jersey! Submit your Workshop proposals here, and spread the wealth–of knowledge, that is. (Though you can send me money anytime. I’m a starving artist, after all.)
Yes, that’s the beach in the background. I thought it was appropriate. Because that’s where I am, Yuengling in hand, not thinking about the book I have to finish, or that classes start one week from today. I’ll be thinking about that all sooner or later. For now, fingers in ears and lalalalalalalalalalalalalalala…
August is the cruelest time of year. If come just off of July, a tentative kind of month as far as summer is concerned, with the real start of it on Independence Day. But by August you’re fully into the swing of it, you have three-quarters of your tan and you’ve completely forgotten what socks feel like, you’re way into fresh tomatoes and peaches and sitting outside for dinner. You’ve gotten used to sleeping with just a sheet over you, mosquito bites, how good that cold bottle of brew feels in your hand. You can’t get enough ice cream, swimming, summer blockbusters, cricket chirps at night and early sunrises in the morning. But if you’re a teacher, or a college professor like me, you know these things are just there to taunt you, exclude you, set you on the outside looking in. Because if teaching is your chosen profession, you can kiss all these things adios by mid-month. Because by that time you’re already neck-deep into the brain-frying task of the dreaded CLASS PREP!
“Teachers get the whole summer off.” HAHAHAHAHAHAHA!! You know what I’m doing now? It’s not laying on the beach, that’s for damn sure. What I’m doing now, by the very act of writing this is slacking from what I’ve been doing for the last week–interminable reading, lesson plans, website updating, essay prompt preparation, yadda-von-fucking-yadda. And if you teach college, you have the equally interminable Pre_Class week, where you have Online Training, Orientations, Departmental Meetings, College Assembly, Convocation, etc. etc. etc. ewwch, arrgguuuh!
Okay, gotta go. My Blackboard site is screaming for my attention because it goes live in ONE WEEK. “Teachers get the whole summer off.” Oh man–I’m cryin’!
I love Maxfield Parrish. He is and always has been one of my favorite illustrators and artists. I love his vibrant, saturated colors and the visual depth of his landscapes, his use of perspective and the playful humanistic qualities he gives to each of his subjects. I often think of him when the evening sky is awash with stark color after a storm. The blue is most likely a colbalt used often in Parrish’s work, and I loved this particular shade of his even before I knew it was a thing. It is a blue that says many things to me–of the variations of nature, of a kind of impishness, of the joy that being all-in with life can bring. Maxfield Parrish’s art, because of its sheer volume, variation, and detail, also says to me he must have enjoyed the creation of it immensely. What a luscious life he must have lived, reveling in it.
I think of Parrish in the context of a talk I attended just the other week, between a writer of some renown and an editor from a major publishing house. He was asked what advice he could give the attendant audience of writing students, especially when they’re feeling the full brunt of the pressure to publish. He said first and foremost to enjoy this early time in their career when the flush of discovery and learning is still fresh, and learn to cultivate it throughout your writing life. But more than anything, you need to enjoy the process, because if you don’t, it’ll show in your work and you’ll be doomed to ordinariness. And you’ll spend a whole lot of time being miserable.
Fine advice to always keep running in the background, no matter what discipline you create your art in. Especially on a soft, summer Maxfield Parrish night as this.
Do I have cats. Three at the present. Don’t judge me, only one was actually voluntarily acquired. The other two acquired me and the husband, just barged right in and decided to stay. You see, with cats, it’s not as if you have a choice. Even when they love you they will always leave you flat for a) food, b) a warm spot, c) scratchies. You see, they’re not really bad, they’re just drawn (to everything else) that way.
Saturdays are usually writing events for me. If I’m not creating my own genius, I’m at Liberty State Fiction Writers co-presiding over our meetings and seminars, or I’m disseminating my vast mental compendium of professorial writing tips to freshman and graduate learners alike. But to stay in this literary game, whether as instructor or practitioner, the savvy writer needs to continually update their literary toolbox. And there’s no better way to do that, after the manuscript is finished, proofread, and polished, than going where the industry professionals are.
Might I recommend the second Author-Preneur Workshop by the Navesink River on October 13, 2018, in beautiful Red Bank, NJ. This event is an all-day multilayered interactive workshop with presentations by Literary Agent Marisa A. Corvisiero, Esq., her Corvisiero Literary Agency colleagues, and other key industry professional guests dedicated to an author’s success.
~ 8:30 a.m. to 5:00 p.m., Saturday, October 13, at The Oyster Point Hotel, Bodman Place, Red Bank, NJ 07701.
~ Phone: 732.759.9175
~ Conveniently located about one hour from NY City.
~ Valet parking complimentary.
~ Train Station: Red Bank – North Jersey Coast line located just 5 minutes away.