Take that first step to your dream of becoming a published author at the 11th Annual Liberty States Fiction Writers Conference! Already published? Improve your craft, business, or promotional skills with one of our wonderful workshops and information from our keynote speaker Mark Leslie Lefebvre. Mark’s industry experience includes being the President of the Canadian Booksellers Association, Board Member of BookNet Canada, Director of Author Relations and Self-Publishing for Rakuten Kobo, Director of Business Development for Draft2Digital and Professional Advisor for Sheridan College’s Creative Writing and Publishing Honours Program He will be presenting a workshop on why there’s no better time to be a writer. For more information, please visit http://www.libertystatesfictionwriters.com/conference/.
Remember, dear readers, I’m an instructor in an MFA program, so outside of my lovely college freshmen, I also mentor grad students in the craft of writing. One of the subjects I guide them through is Reading for Writers, where we look at the student’s chosen genre and study its practitioners in depth.
But if one is a writer, do they also need to be a reader? I find Francine Prose’s book, Reading Like a Writer valuable as one of the first things you hear when you attempt writing is you must be a reader. Why is that? Well, if you’re going to be a doctor, don’t you need to see sick people? Observe broken-down cars if you’re going to be a mechanic? Taste food if you want to know how to cook it? In the same vein, if you want to write you need to become familiar with what’ll be the end result of your work, and how others view what it should be.
Because of that, I believe it’s important to read more than what you’re accustomed to. Of course, everyone has their favorite genres (mine being anything political and historical fiction and non-fiction), but like an old sweater it’s important to reach beyond what you’re comfortable with. Stretching outside our genre opens us up to new methods of approaching the craft, and reading the classics shows us why those books have lasted the test of time.
You mentioned a few of the classic authors, and I can’t tell you how much I learned from them. Austen, with her divine wit, Orwell, with his command of metaphor and symbolism, Warton, with her period mastery of detail. As a student of humor, I’ve learned a lot from the more current authors, such as Carl Hiaasen’s master use of dialogue, and David Sedaris’ hilarious use of the short-form essays. When we vary our reading, when we stretch into other forms that we’re not as familiar with, the lessons from their techniques leach into our writing psyche like osmosis, and we can’t help coming out better writers at the end. The more you expose yourself to, the more cosmopolitan your writing becomes. You just can’t help it.
So, what’s your favorite readers? Are they what you write? Sometimes they are, as I read scads and scads of literary fiction, but never attempted to write it. Then again, what is literary fiction? Charles Dickens in his day was writing for the everyday masses. Hm…could that be what my own writing will be one day? I can only hope!
If you published a book in 2019, ask your publisher, editor, or publicist to nominate it for the Housatonic Book Award! The Awards are sponsored by Western Connecticut State University’s MFA in Creative and Professional Writing program, and categories for this year’s award include Fiction, Poetry, Nonfiction, and Middle Grades/YA.
Past winners include Sean Thomas Dougherty, Leslie Jamison, Reginald Dwayne Betts, Matthea Harvey, Tawni Waters, A.B. Westrick, Jennifer Dubois, John Katzenbach, Brandon Brown, Ann Jacobus, Peter Peter Andrew Selgin, Joel Brouwer, Victoria Chang, Dick Lehr, Shanti Sekharan, Beth Ann Fennelly, and other amazing writers. Authors can also self-nominate.
The awards will be presented at the residencies that the award winner will attend. Each award carries a $1000 honorarium and $500 travel stipend in exchange for appearing at the residency. Entering a title implies the author’s willingness to attend the WCSU MFA residency indicated in the description for the award. The honorarium is awarded in exchange for and after the completion of appearance at the appropriate residency.
Deadline for submission is June 15, 2020. Click here for more information.
Mark Your Calendar for the
Liberty States Fiction
April 4, 2020
Holiday Inn in Clark, NJ
Our 2020 Conference is dedicated to Indie Publishing, but we have something for writers at all stages of their careers and whether traditionally published, small press, hybrid or indie.
Two Hour Presentation
MORE POWER, MORE OPTIONS, MORE CONTROL
OVER YOUR PATH TO SUCCESS
Mark Leslie Lefebvre
Writers have never had more power, more options, and more control over their careers, over carving their own unique pathways to success. The growth of digital publishing opportunities continues to expand, and a combination of technology and creativity are allowing writers to explore brave new worlds of writing that have never existed before.
Mark Leslie Lefebvre, who has been writing since he was thirteen, and first discovered his mother’s Underwood typewriter hidden in the back of her closet, had his first short story published the same year he started his journey through bookselling. Not only is he a former President of the Canadian Booksellers Association, and founder of Kobo Writing Life, but he has more than twenty books published and has embraced hybrid publishing opportunities at all levels.
By exploring a brief history of publishing, the digital revolution, trends within both traditional publishing and indie publishing, and using examples from his own three decades of experience as a writer and with coaching and supporting thousands of authors, Mark will take you on an entertaining, informative and inspiring tour that will demonstrate the power that you have to forge a successful writing and publishing career.
Explore with Mark how there has truly never been a greater time to be a writer.
About Mark Leslie Lefebvre – Mark’s first short story appeared in print in 1992, the same year he started in the book industry. He has published more than twenty books under the name Mark Leslie that include thrillers and fiction (Evasion, A Canadian Werewolf in New York, One Hand Screaming), paranormal non-fiction (Haunted Hospitals, Spooky Sudbury, Macabre Montreal) and anthologies (Campus Chills, Tesseracts Sixteen, Fiction River: Feel the Fear).His industry experience include President of the Canadian Booksellers Association, Board Member of BookNet Canada, Director of Author Relations and Self-Publishing for Rakuten Kobo, Director of Business Development for Draft2Digital and Professional Advisor for Sheridan College’s Creative Writing and Publishing Honours Program. Mark lives in Waterloo, Ontario and can be found online at http://www.markleslie.ca.
How many of you out there have made New Year’s resolutions? Oh really? Suckers! You know they don’t work. Better, I’ve heard to set goals, as those taskmaster resolutions are like backing you into a wall, making you change or else! Seriously, who can go to bed one night in the old year, and wake up in the next completely changed? You’re still in the same old bed in the same old body. But what you CAN do is set yourself on the right path toward something, as incremental change has a hell of a better change of becoming permanent, that expecting a volia! moment and realistically, no change at all.
So you want to finally finish that book, right? DEFINITELY a task that isn’t pulled out of a hat. Slow and steady is always going to get the job done, but only if you set your mind in the right place at the onset. Tell yourself right now–no INSIST — that you are a writer — and primarily, writers write. Start to take yourself seriously, and then everyone else will. Set parameters and make sure they’re respected. You write from xx to xx o’clock, then stick to it. A closed door means I’m working, and don’t let anyone open it unless the house is burning down. And then do something for yourself, to keep that ball in motion, to keep those creative fires lit, to keep you going until you finally type THE END. Let your species seek out your own.
I’m talking a Writers Conference, and I’ve got one for you right here, especially if you live in the Philadelphia/New York metro area. The 11th Annual Liberty States Fiction Writers Conference, located in beautiful Clark, NJ, a skippy tra-la right off the Garden State Parkway. This year we’re having a focus on self-publishing, and even if you’ve never thought about it, come on out anyway. We’re having scad of traditional representation, too. I’ll be having more about it in future posts, but for right now, click here for more info.
Then get that butt in the chair and keep writing!
I belong to a book discussion group at my local library, which met tonight to discuss a work of historical creative nonfiction, that also happened to be a New York Times bestseller. The book was nearly five hundred pages with exhaustive notes, an index, and bibliography, the setting centering around the road to the 1936 Berlin Olympics. The concept was interesting and the writing good, and upon first glance, it looked like it would be a compelling read. But the more I got into it, the more it became a slog, and I thought perhaps it was just me. Which is weird, because I love historical reads, fiction or otherwise. Then I got to my reading group. Seems I wasn’t along. Of the ten people in the group, only five showed up, and of the five, only two finished it, and only one they really liked it.
“Why?” I asked of the group. “What didn’t do it for you?”
“TMI,” they said. “Just too much information.”
Hmm…. I thought. I’ve heard this complaint before, from other readers, from other writers–from editors who chop away at your darlings. Too much information. Too much detail, too much minutiae. Too much see how much research I did? Aren’t you impressed? And I’m going to cram it all between the pages of this book whether you like it or not! One of the comments was the info was too technical, that it was directed toward a very specialized group of people, who wouldn’t give a damn about it otherwise. For example, like if you were reading a medical thriller about an emergency heart surgery, and the writer decided to toss in the metabolic panel, radiology screening, and post-op report, with a side of pharmacology for good measure. Sure, if you were a doctor you might, but then again only if you were on a busman’s holiday. Another comment was too much of a build-up, and not enough main event. The book touted itself as one thing, but there was so much surrounding info, there was very little room left for the main event. Like matryoshka, or those Russian nesting dolls, so many to go through before you get to the point. By the time you get to the middle, you run the danger of being worn out.
So what’s a writer to do which the research seems to take over the story? When there’s so much of it, it almost becomes impossible to pare? When you simply can’t decide what to lose so you lose nothing at all? Look, you have to decide what kind of book you’re going to write. In all fiction, you need to remember a basic principle: to disseminate information on a need-to-know basis. Is that factoid absolutely necessary to your narrative? Is it essential to your characterization? Will it move the plot forward? If it doesn’t, lose it, or at least save it for when it will make a difference. If you’re writing a novel, it’s absolutely essential to create a world, a milieu, a setting for your characters to revolve in, so some carefully placed details are absolutely necessary. But don’t overwhelm your reader, or your characters will literally be sucked into the woodwork. If you’re creating the definitive guide to Gimbel’s Department Store in New York City circa 1927, then yes, be as detailed as you like. But if you’re writing about a woman who found her first love among the cloches in the millinery department, then choose your darlings wisely. You never know when any of them will get the slash.
I just finished a book! (Thank you! Thank you! I’m patting myself on the back for you!) Edited, proofread, spell-checked and sent off to the agent. Now’s the worst part–waiting for something to happen with it. Trust me, that’s definitely futile. Better off to not think about it for awhile. Please, do NOT look at it any more. I’ve learned if I do, I’ll discover a gazillion more typos, head-hops, tense shifts, and all things that generally give me the yips because I didn’t find them on the last edit. This invariably happens as you’ve grown so close to the thing, it’s basically become invisible to you. Leading to the point your only recourse is to concede, the book is as done on your end as it’s ever going to get, and the only thing left to do is give it up. So you stop thinking about it, because the bald truth is if you spent 10,000 more hours on it, it still wouldn’t be finished, as it’s never really done until you find it on the shelf at the bookstore. Then what’s a writer to do in the interim?
Well for one thing–celebrate! You’ve finished a book! My own fin-de-libro ritual is to celebrate at a local tomato pie joint with a pair of good friends. We get one large sausage and one large plain, and we gorge ourselves silly along with a bottle of wine. The thing is my girls are pretty strict about enforcing the “must finish the book” rule before we’ll go. And I love these tomato pies so much (thinny-thin crispy crust, handmade, local sausage) it’s incentive enough. See, it’s important to do something special for yourself, even if it’s a night binge-watching all that TV you’ve forgone while you were working so hard. Finishing a book IS a big accomplishment. Why I have students who pale at the prospect of a three-page essay. Three hundred plus is phenomenal. Bask in your glorious achievement!
Because after it comes the real, well…after. At least for me, a kind of quiet falls over my writerly world. The characters in my head retreat to the background, the dust over my imaginary locales settle, all my conflicts resolve, my goals met. The high that had taken me to the end of my journey becomes a low hum until it, too, silences. Leaving me to wonder: now what?
Only you can decide how to transition from one book to the next, because If you plan on taking this writer thing seriously, there MUST be a next book. Very few people are born Harper Lee or J. D. Salinger. If you want to have a career in writing you need to either be working on a sequel or thinking up something new. One thing I firmly believe in is that writers write, and if you aren’t writing, then you better be reading. Attack that to-be-read pile, study your current genre or the one you want to attempt. Pick up a craft book, the latest bestseller, or anything that will keep you reading. It wouldn’t hurt to attend a Writers Conference, or a writers’ organization meeting, or attend a book signing or reading at the local bookstore or college. And here’s another thing I haven’t mentioned: if you’re unagented, it’d be a good time to look for one. Again, if you take this profession seriously, and you want to travel the traditional publishing route (as opposed to self-publishing), you’re going to need a literary agent. So maybe the next writing you should do is a query letter.
But before you do, pat yourself on the back. You’ve just finished a book! Between the time you finished it and the day you sell, you’ll have a lot to do and think about. For now, celebrate your accomplishment. You earned it!
Every year I make this promise: I will adhere by the rules of the National Novel Writing Month and get this new novel off the ground. I mean–really, it should be easy. I have it started already, I have it planned out, so all I have to do is write everyday (like I should do anyway when I’m actively writing a book), then log my time and voila! I get to see in–in graph form– just how productive I can be. And seriously, I do start out with good intentions. I write faithfully, amass the set amount of words that I pledge to do, read the day’s words of inspiration, log on my record my wordage, and then sit back with that smug look on my face that says, yes, I’ve done a good days work. This works beautifully for a few days, and then I get distracted by a shiny object or a bowl of gelato and BAM! I’m right back binging the newest drama on Netflix. Bad, bad, writer! Well, not this year!!
Okay, let’s see who makes it to the NaNoWriMo fail first this year. I vow it won’t be me, but then you never know. If you’re certain you’re a better human being than I am, then go here and see if you truly are. Far be it from me to judge.