Category Archives: Unsolicited Writing Advice!

How did you get along without it?

Tenacity, thy name is Writer

Gwen signingAh yes, there I am in New York at BEA back in June, signing copies of Wanted: Wife at the RWA booth. I’m happy to say that I “sold” every copy HarperCollins provided for me. Okay, I’m lying. They were free, and three-quarters of the people asked for them not to be personalized. Kind of reminded me when I was at a BEA authors’ breakfast the year before, and I asked the same thing of Chris Matthews of “Hardball” on MSNBC. He laughed out loud in that inimitable Chris Matthews way and said, “Ha! Better to sell it on eBay!” No, I thought, feeling slightly chagrined. He was so mobbed, I was trying to save him some time. Even so, I was under no illusion my many “fans” were thinking eBay about me. Seems most of them were librarians or booksellers, and WW would soooo fit nicely into that raffle basket…

Not that I cared. Truly, I didn’t. At this stage of my career, I’m just happy you asked. Writers are funny that way. We can be a cloistered folk, especially when we’re deep into a project, but if you want to get a writer’s attention, just ask her what she’s working on. If the work’s going smoothly, she’ll jabber on about it. If it’s going badly, she’ll give you a scowl that’ll melt glass.

I’m kinda at the in between stage right now, just starting a new project, and just pushing one out in the real world on Tuesday, November 18th. That would be The Laws of Seduction, the third book in my “French Kiss” series, and a bit different from what I’ve written before. It’s somewhat darker, but it was written at a very dark point in my life. I started it the day before my mother died suddenly, and worked through and finished it while I was still in mourning. In fact, this picture was taken just six days after her death and three days before her funeral, and to tell you the truth, as excited as I was to do a signing at BEA, I was pretty much in a daze. But I soldiered on. I think Mom would have wanted me to.

I’m somewhat better now, though I still miss her, of course. But out of all that sadness came something I’m pretty proud of. The writing, the plain work of it, got me through a very tough time by giving me something other than my grief to think about, and through it all, reaffirmed my conviction to the craft of writing. I knew then that if I could write through those dark days, I would never have an excuse again to not write when the times were so much better. Because as a writer, I was doing what writers do–write. I sincerely hope, with this next book, you’ll agree.

Living the Romantic life

IMG_2372 I discovered something about the nature of a long-term relationship last week when my husband and I decided to go away overnight. It was an impromptu trip, as we had come into a little extra cash and we hadn’t been away as a couple in four years. So I rushed to make hotel reservations as well as booking a spot on the Cape May-Lewes Ferry (that’s Cape May receding from aboard the Cape Henlopen). We were to take the ferry over in the morning, then spend the afternoon and night in the charming coastal town of Lewes, Delaware. Which is exactly what we did.

No sense giving you our travelogue–which was, briefly, the Delaware Bay crossing, a stay at a lovely downtown hotel, the Hotel Rodney, a visit to the state park, dinner on the canal at sunset, etc–but that’s not the point I’m wanting to make. The point is how a couple can change when they’re out of their milieu, how that change is a barometer of the true state of their relationship, as well as a portend of what they can expect when they come home and return to their reality. Let me explain.

I read somewhere over the summer, not sure where, that in order to keep a long-term relationship fresh a couple needs to experience new things together. It’s not enough to do them separately, as they need to bind over a shared event. We found this on the ferry and in visiting Lewes. Away from home and doing something together in a new environment, we were able to step outside our everyday lives and become almost different people. When we walked into our hotel room, drank beer at our canal-side table, ate ice cream on the sidewalk as we watched passers-by, we found a joy in our commonality of stepping outside the ordinary. Free of the static of everyday life, we were able to just live in the moment, getting into the thrill of the open sea, yellow beets and pistachios on our salads, mints atop our turned-down sheets. And about those sheets…

Yes, it was better. He was better–I was better. There’s something thrilling about a mussed-up bed in the afternoon (especially when you return from dinner and find it made up with those mints atop it). Being silenced with a kiss. Trotting downstairs to a hotel alcove past midnight for a can a Coke and Chex Mix–you’re starving, after all–wearing just a cardigan and the jeans you snatched from the floor. Finally falling asleep who-knows-when. Strange. We’ve been married well over twenty years, but the man I spent the night with surprised the hell out of me. His reactions to the newness all around us made him as fresh to me as if I just met him, giving me a new, exciting perspective on him. In those thirty-six-odd hours we spent together, I fell in love all over again.

Why am I mentioning this? Well, my goodness, remember what I write? How can I impart those first rushes of romance if I can’t feel it from the inside? How convincing would I be then? It’s a wonderful feeling, living the romantic life. Recharge often.

Guest Post in Chuck Sambuchino’s WRITERS DIGEST column!

large_logoOver the weekend my wit ‘n wisdom was featured in Chuck Sambuchino’s fabulous Writers Digest column. It’s called “The Writer’s Journey: How Much (can) Someone Possibly Stand?” What I’m talking about is how much a writer has to go through to get where they want to be, the hours, the sacrifices, the research, etc. Here’s a snippet:

So there’s this, there’s all of this, and yet as hard as you work, shuffling schedules to make room for those two blissful hours alone, polishing that manuscript until it screeches surrender, querying in bunches and crossing your fingers, there it comes again, that blasted, callous bit of communication that so effortlessly denies you entrance. So you steal more hours, polish some more and once again type that header: QUERY: Historical Thriller 80k–and it’s almost as if you’re stuck in a copier churning out denied, denied, DENIED.

DENIED. Yeah, we all know what that’s like. Rejection, requery, resubmit. So why do we do it? What pushes us on. You don’t the answer to that, right? If you don’t, then, ask yourself, why not?