All posts by Gwen Jones

DUH! it’s nanowrimo!

I CANNOT believe it’s 18 November, and I forgot to give my annual plug for National Novel Writing Month, otherwise known as NaNoWriMo! Maybe because I’m so swamped with grading and thesis reviewing I don’t have time to write myself. Fine writer I am! I still should find the time to jot down something (well, maybe that’s what THIS is. But still. NaNoWriMo is still the greatest thing ever, because even if you’re not planning on starting a new novel, you can still use it to continue on with your current work-in-progress, spiff up an old one, or give yourself a virtual kick in the pants. Or as they put it…

Every story matters.
Let’s start writing yours.

Writing a novel alone can be difficult, even for seasoned writers. NaNoWriMo helps you track your progress, set milestones, connect with other writers in a vast community, and participate in events that are designed to make sure you finish your novel. Oh, and best of all, it’s free!

Yes, free is always a good thing. And so is the sense of community you get . There are local chapters as well, so you can keep that community spirit all year long, with the great events they sponsor. There’s even Camp NaNoWriMo for the youngsters. In any event, it’s never too late to get started.

Now–get that butt in the chair and start creating some genius!

Throw away your thesaurus and use these words instead

Yes, Biden won. He did. That’s reality. (YIPPEE!! btw). But at least for the present, I’m tired of being a pundit. I’d rather be a writer instead. But I’m too exhausted by the last few weeks to rub two coherent thoughts together (See? Even splitting infinitives). Then I saw this on a social media site, and it’s exactly what I need today. See how many of these words you’ve actually used in your writing. I for one have used several, but my absolute favorite of the list has to be cattywumpus. I have no idea what it means, maybe something akin to kerfluffle, but I’m definitely going to have to find an occasion to use it.

Why Biden?

I will be the first one to tell you that Joe Biden, Jr. was not my first choice for president. In fact, he was probably my last choice. But let me get one thing straight: it was never because I didn’t think him either competent or ready for the job. He spent decades in the Senate and eight years as Vice-President, so he knows more than most what’s expected of him and he’s ready to hit the ground running. So when James Clyburn of South Carolina endorsed him, setting him on a winning streak that proved to be unstoppable, I can’t say I was disappointed. And when he picked Kamala Harris as his running mate–who was my first choice–that sealed the deal for me. So when I got my mail-in ballot from the Great State of New Jersey, (Jersey Girls don’t do lines because they don’t have to), I confidently dropped it in the ballot box with no reservations. So why not? Why Joe, you may ask? Well, I’ll tell you.

Four years ago I laid out my reasons for electing Hillary Clinton. I don’t think I have to mention how that went. There were a lot of reasons why Clinton lost, a couple of progressive third-party candidates, ignoring Midwestern and battleground states, and the plain fact that people were so over the Clintons. Then there was the reality that a lot of people simply didn’t vote, turned off by the nasty state of politics and an apathy for it altogether. People were saying both candidates were awful and how could my one vote make a difference? And here’s the best reason: whatever they do in Washington D.C. can hardly affect me. Thank about that for a few seconds: whatever they do in Washington D.C. can hardly affect me.

Seriously? Ever hear of a little ol’ thing called the COVID-19 pandemic? So how many people are you having over for Thanksgiving? When’s the last time you went to a concert? See your grandma lately? How about that last frat party? Let’s all try that new restaurant! Want to go out for a drink? Don’t worry, it’ll all go away in the spring. No–not next spring. Last spring. Except it didn’t. And there’s no one else to blame expect for Donald Trump. But this isn’t a column against him. I’m from Jersey, and we know who Trump is. And I’m not going to waste keystrokes on this cult of personality. He isn’t worth aggravating my carpel tunnel. So I’ll move on.

I voted for Joe Biden because I want competence in the government again. I want an adult who believe in science and progressive thinking and will honor differences of opinion, and is willing to compromise for a consensus. I want to believe in what my elected officials say, and when they do speak, they’ll speak truthfully and without recrimination, and they’ll respect the expertise of career public service professionals. I want my president to remember he’s a caretaker of not only the public trust, but to remember he’s the president of all Americans, blue state and red, and that he’ll rely on science and not on whatever’s rolling out of the rumor mill. I want Joe Biden as president because maybe we won’t be the laughingstock of the world anymore, and he’ll respect the expertise of our career diplomats and military. He’ll remember the White House is hotel and not his private country club, and that when family come over it’s for lunch in the private residence, and not for work in an office off the Oval. I want Joe Biden as president because I trust him to hire the best people for the job, not off a TV show he watched that morning, and when he fires someone I don’t learn about it in a tweet.

Oh man…I could go on and on, but like I said, the carpel…. I guess most of all why I want Joe Biden for president is I’m exhausted, and through boredom borne of this pandemic, what I’m craving now is normalcy. Donald–you’re just not funny anymore. You’ve worn me out–you’ve worn us all out. We want a leader, not an entertainer, because most definitely, we are not amused.

Biden Harris 2020.

Biden / Harris 2020

This is my choice. Next week I’ll tell you why. Hang in there, everyone. And wear your masks!

Word counts that make you feel inadequate

I found this online and it made me feel so inadequate (temporarily) that I just HAD to share it with you. I hope it either spurs you into action, or you’re already so infinitely superior you scoff at such meager amounts. Either way, get to your keyboard, you’re wasting time with me.

writing outside your brain

I’m sure you’ve had this happen to you. You have this fantabulously good scene inside your head, practically playing like a movie, so you run to your keyboard and write it down, the words shooting to the screen like rivets, convinced you’ve just birthed genius. Exhausted by the effort, you save and exit, pondering the multitude of ways you’ll expand on it next time. But when you go back to it, whether the next hour or day or week, it reads like something out of a kindergarten class. The transitions make no sense, the characters are running into each other, the continuity seems out of a time warp. What happened to your genius?

The inability to write outside your head is one of the most common causes of angst I see with my young writing students. Oh–no angst for them–for me is what I mean. They don’t see anything wrong because until I point it out, that scene is playing in their head just as fresh as if the action were taking place right in front of them. But what they don’t realize is that there’s blanks they have to fill in, like facial expressions, reactions, settings, time of day, transitioning from one place to another, who this person is they’re suddenly talking to and how they relate to the scene. Then there’s technical things that may relate to a character’s profession or action they’re currently in. Like what is that tripod or data set or NMR tube is for. Sometimes what a writer doesn’t realize is your reader may not understand what comes so clearly to you. I say to my students that sometimes you have to explain things like your are writing to kindergarteners. With the average news site at a sixth grade level, sometimes you just have to dip a bit lower.

This doesn’t mean you have to dumb down your writing. That’s not what I’m getting at. What I’m saying is that sometimes your writing needs you to step back and let it simmer for a little while, so when you go back to it you can look at it with a fresh eye. Sometimes you need to forget it just a bit, to see where you need to fill in the crack. Like mortar, it’ll only make it stronger.

Vote like your Rights Depend on it

Am I sounding like an alarmist? Maybe. But as I said many times before, if you don’t vote, you have no right to bitch. Here in New Jersey voting is already underway, and I dropped by ballot in the voting box supplied by my county, at the county library, last Sunday. All voting in NJ is by mail, though you can still vote in person if you want at the polls. Since all registered voters got ballots in the mail, voting in person is provisional, as it’ll be check against the paper ballots. Am I worried? No. This is not new technology. Voting by mail has been done for absentee voting and by people in the military for decades. See, it’s not voter fraud that bother me. It’s what can happen if people don’t vote at all. Don’t say you’re not part of the system. If you’re living in the U.S., if you’re paying taxes, your are. Make your voice heard. VOTE!

Tips from the MFA Pit – Part 9

Hello class! It’s a new school year, and with it comes a new edition of Tips from the MFA Pit, actual advice to actual MFA students. This edition is on Deep POV versus Internal Dialogue, and all advice is from my brain alone, and NOT the official voice of anything outside my head. So please feel free to add a large grain of salt!

Let’s look at Deep POV before we get to Internal Dialogue. Both are intensely personal. You’re literally putting yourself into the character’s shoes. When you write within a character’s POV, you can only see what they see, and all the other character’s actions are just what that character can hear or observe. Deep POV goes beyond that. It’s what they feel, how they react, their gut feelings of pain, pleasure, anger, calm. It’s also how they react cognitively, psychologically and physically to another person, a situation, what’s said, observed, etc. For example:

Lauren opened the front door, the hills rolling out before her. Her fingers tightened around the knob and her pulse raced, tears flooding her eyes as Tom’s car rounded the last curve. Her heart burst with joy. He’s here.

If you’ll notice, no one outside Lauren herself could feel her pulse racing or burst with joy. They could observe her fingers tightening or tears flooding her eyes, but what she feels internally – or the reasons for it – is hers alone. Then we come to the last sentence – He’s here. That’s Internal Dialogue. It’s things that could be said orally, but are kept inside the character’s head.  It’s the difference between feelingJoey knew there was no way he could talk his way out of this – and saying to yourself – I’m sunk.

A best practice, at least the way I see it and no way is this a rule, is to use Deep POV more and keep Internal Dialogue to a minimum. Using Internal Dialogue too much is like “telling” not “showing.” When you’re in a character’s POV, you want to know how they are feeling inside, or what would be the point of being in their head? Usually it’s best to keep the internal dialogue short so it has more of an impact, and most publishers place it in italics to separate it from the Deep POV. It is ALWAYS limited to the character whose POV you’re in, and it is always in first person.

Words of wisdom indeed! Till next time — keep writing because ===> WRITERS WRITE!